For more than two decades, Shekhar Ravjiani has been one half of Vishal–Shekhar, the powerhouse composing duo behind some of Bollywood’s most beloved soundtracks (Jhoome Jo Pathan, Ghungroo, Behsaram Rang, Nashe Si Chadh Gayi, Khuda Jaane, Sheila Ki Jawani, Desi Girl, Bin Tere, Manwa Laage). Yet in recent years, a quieter, more personal creative story has been unfolding, one driven not by box-office deadlines or chart algorithms, but by something far more elemental: joy. “My journey into the independent music space has been unbelievably liberating and brought me closer than ever to my love for music, the craft and the pure joy of creating by myself and for myself,” Shekhar says, a warmth evident even in his words. “I feel like this is the happiest that I have ever been.” That journey began quietly. “I released my first independent single in 2012, a Marathi song called Saazni and my version of the Hanuman Chalisa, and since then I haven’t looked back,” he recalls. The turning point came in 2023 when Shekhar formalised his independence by launching his own record label. The venture, has since become the vehicle for an extraordinary creative output. “I started my own record label in 2023 (Garuudaa Musiic) and have released 35 songs to date,” he says. “Every song is an expression of what it means to create fearlessly and without the constraints of what is marketable and what will get more streams. It’s about truly enjoying the process, working with some beautiful souls and extremely talented people who want to be part of something real.” Thirty-five songs in just over two years is a remarkable pace. But for Ravjiani, it is less a strategy than a compulsion, one rooted in gratitude. “Like you said, I am relentlessly creating and will continue to do so because nothing gives me more happiness than to make music and that’s a gift that I thank God for every single day,” he adds. ‘I am excited to see what the new wave of composers brings to the table’With streaming platforms democratising discovery and global influences flowing freely into the subcontinent, Bollywood composing is in a state of vivid flux. A new generation of creators, versed equally in classical ragas and club music, is staking its claim. How does Shekhar, who helped define the sound of a generation, view these newcomers? “I see hugely talented individuals filled with confidence and supported by so many platforms that give them opportunities to shine,” he says, his admiration unguarded. “Every generation is different and that’s a good thing. I’m very excited to see what the new wave of composers brings to the table with their varied backgrounds and global exposure. Am sure it’s gonna be brilliant.” It is the assessment of a man secure enough in his own legacy to celebrate what comes next, a generosity of spirit that speaks as much about Shekhar’s character as it does about his artistry.
