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Ranbir Kapoor Opens Up on the ‘Sacred Responsibility’ of Portraying Lord Ram in Ramayana

Ranbir Kapoor Opens Up on the ‘Sacred Responsibility’ of Portraying Lord Ram in Ramayana

The weight of expectation is a heavy mantle to carry, but for Ranbir Kapoor, the challenge of portraying Lord Ram in Nitesh Tiwari’s upcoming magnum opus, Ramayana, is less about cinematic ego and more about an existential burden. As the Indian film industry prepares for what is arguably its most ambitious mythological adaptation, a newly released behind-the-scenes glimpse has pulled back the curtain on the quiet, contemplative gravity that defines Kapoor’s approach to the character.

For decades, the image of Lord Ram on Indian screens has been synonymous with the serene, divine countenance of Arun Govil. In the new BTS footage, Kapoor acknowledges that the shadow cast by his predecessor is long, but he isn’t attempting to replicate the past—he is attempting to embody the essence of the deity’s greatest strength: the power of forgiveness.

Ranbir Kapoor on the Responsibility of Being Lord Ram

In a candid moment from the shoot, Kapoor reflects on the wisdom imparted to him by Arun Govil himself. “Mr. Arun Govil is the iconic Lord Ram for all of us,” Kapoor says, his tone notably stripped of the usual celebrity veneer. He highlights a specific Sanskrit philosophy that has become his guiding north star: Kshama Dharma, Kshama Yagya, Kshama Veda, Sanatana.

For Kapoor, the epiphany was realizing that Ram’s divinity wasn’t anchored in his prowess with the bow or his ability to conquer in battle. “Bhagwan Ram’s greatest strength was not his bow; it was his ability to forgive,” he notes. This reframing is crucial. In an era where mythological retellings often lean heavily into spectacle and hyper-masculine combat, Kapoor’s insistence on the character’s emotional softness and capacity for grace suggests that this Ramayana is aiming for a more introspective, humanized tone.

Beyond the Script: What the Role Means to Kapoor

When an actor of Kapoor’s stature—one who has spent the last decade carefully curating performances in films like Barfi!, Rockstar, and Animal—calls a film “not just a role,” the industry takes note. The stakes for this project are stratospheric, yet Kapoor avoids the trap of viewing it as a career-defining accolade.

“It’s not that I’ve been offered a film, and this is an exciting role—this is a responsibility,” he says. The weight of the Ramayana is, in essence, the weight of a collective consciousness. To play Ram is to step into the center of a narrative that millions of people treat not as entertainment, but as a living, breathing blueprint for life. By tethering his preparation to the concept of Dharmo Rakshati Rakshitah—the belief that Dharma protects those who uphold it—Kapoor signals that his preparation is as much spiritual as it is professional.

A Global Convergence of Talent

The scale of Ramayana is evident in the production’s unprecedented decision to marry the best of Eastern storytelling with Western technical expertise. Producer Namit Malhotra has assembled a “dream team” that includes Hollywood heavyweights Terry Notary, known for his groundbreaking work in movement and motion capture, and action director Guy Norris.

For an actor, working with someone like Notary—who has brought life to non-human characters in blockbusters like Planet of the Apes—can be a transformative experience. Kapoor reveals that their collaboration was rooted in movement and body language, but more surprisingly, he found a kindred spirit in Guy Norris. While Norris is an action veteran tasked with choreographing the epic’s set pieces, Kapoor was struck by the director’s deep interest in the internal life of the character. “For an action director to be so interested in the emotionality of Ram was such a pleasant surprise,” Kapoor admits. It suggests a production that values the ‘why’ behind the violence, ensuring the film doesn’t devolve into a hollow CGI spectacle.

The Man Behind the Legend

Nitesh Tiwari, the visionary behind Dangal and Chhichhore, is known for grounded storytelling, which makes his choice for the cast particularly compelling. Alongside Ranbir Kapoor, the film boasts a formidable lineup: Sai Pallavi as the embodiment of Sita, Ravi Dubey as Lakshman, and Arun Govil in the pivotal role of King Dashrath. The supporting cast—featuring Yash, Sunny Deol, and Vivek Oberoi—points toward an ensemble production that is as much about the surrounding architecture of the story as it is about its central protagonist.

However, the lingering question remains: can any actor truly be “worthy” of a figure as monolithic as Lord Ram? Kapoor’s answer is characteristically humble. Throughout his grueling schedule and intense preparations, he keeps a singular, grounding mantra in mind: “Every day, I reminded myself that my job was not to be worthy of this role. My job was to be worthy of the faith that people place in the story.”

Looking Toward 2026

As we look toward the scheduled release date of November 8, 2026, the anticipation is palpable. We have seen countless iterations of this epic, from televised classics to experimental cinema, yet the buzz surrounding this project feels different. There is a palpable sense of caution mixed with curiosity from the audience—a testament to how much this story still matters to the public imagination.

Ranbir Kapoor knows he is under the microscope. He knows that every movement, every delivery, and every quiet look in the film will be dissected by a billion fans. But if the BTS footage is any indication, he has stopped trying to “act” like a god and has started trying to embody the humility of a man tasked with a heavy, divine duty. In a world of fleeting trends, perhaps the most radical thing an actor can do is surrender to the weight of the story itself. With the cameras still rolling and the world watching, the question is no longer whether Kapoor can pull off the costume—it is whether he can bridge the gap between the screen and the sanctity that the Ramayana commands. For now, the lead actor seems to have found his answer in the act of service.

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